Now Available: Conversations Across the Field of Dance Studies vol 44

Guest Editors: Emilie Jabouin & Karla Etienne

This issue, titled The Caribbean as a Pole of the African Diaspora, centers Ayiti (Haiti) as a locus for rethinking the entangled genealogies of African and Caribbean rhythms, dances, spiritualities, and identities. Curated by guest editors Emilie Jabouin and Karla Etienne, both Afro-descendant francophone women raised in Haitian households in Canada, the volume explores how dance acts as an embodied archive of belonging, resistance, and interconnection across the Black Atlantic. The editors frame this issue as a dialogue between the Caribbean and Africa—not as a one-directional flow from Africa to the Caribbean, but as a network of ongoing, reciprocal exchanges of rhythm, ritual, and philosophy. The collection draws together artists, scholars, and practitioners whose works trace how African aesthetics, cosmologies, and embodied practices persist, transform, and regenerate through Caribbean dance forms such as yanvalou, limbo, kokobalé, kumina, and in carnival. These dances articulate histories of displacement and liberation while foregrounding the drum, the body, and spirituality as central to life, memory, and revolution. 

Read the Issue Now

Cover image credit: Myrtle Henry Sodhi (AfroQuill), A Movement Across Time, November 2025

Cover image description: This digital image captures the idea of Ubuntu as expressed through dance and movement. Being through and with others is a movement across time. Steps, twists, folds, and reaches are echoed from the past, expressed in the present, and reverberate into the future. Dance is a way to feel together--through each other. This does not mean we disappear into each other but rather we appear through and with each other.

Nominations Open for DSA's Annual Awards Cycle

DSA is accepting nominations for our annual awards, which honor the year's outstanding books & publications, leadership & service, and graduate student work, as well as offering conference travel support for contingent and independent scholars. The DSA awards contribute not only to the visibility of the individuals and works honored, but also to the visibility of dance research and to our continuing drive for excellence in dance scholarship. All awardees will be honored at our 2026 Annual Conference, Speculative Choreographies, to be held at California State University, Long Beach on October 23-25. See a full list of our available awards below and learn more on DSA's website.

Nominations will be accepted through March 31st.

Reach out to DSA VP of Awards, Melissa Melpignano at [email protected] with any questions.

Learn More

Submit to the Dance Research Journal Special Issue: Early Twentieth-Century Dance Photography: Transnational and Transdisciplinary Approaches

This special issue for Dance Research Journal will bring together 5-6 articles from scholars in Dance Studies, Visual Studies, and beyond, to explore the transnational and transdisciplinary aspects of dance photography, considering how innovations in photography helped document global life in the early twentieth century. Dance photography functions as a primary and portable archive of dance performances in the period. It also sheds light on the importance of corporeal movement and performance to experiments with technological developments in photography as well as photography’s ongoing, often self-conscious, development into a form of art. At the same time, dance itself was developing under the impact of the new documentary possibilities of photography, especially as advances in technology opened new ways of capturing, and thus seeing, movement. Thus, while photography is often associated with stillness, dance photography complicates the multiplicitous relationships between stillness, movement, and performance. Dance photography in the period also importantly contributed to the (self-)exploration of queer, racial and ethnic identities, providing a window into an oft-neglected part of early twentieth-century (global) history. Dance photography in the West contributed to the exoticization of non-White bodies, for example as part of popular forms of ethnography in magazines. The productiveness of a transnational approach is further suggested by the advances in portability of both camera and photograph through the first half of the 20th century and the role this mobility of
photography played as part of the increased movement of people across national borders.

Submission Deadline Extended to March 1!

Read the Call for Papers